Linda Courage’s new photographic blog about her time on Lindisfarne in August 2022 is available here: https://www.livingspirit.org.uk/holy-island/

 

Long before humans and our way of seeing the world arrived on the scene, Earth evolved and supported life and climates, seasons and landscapes…  Our ancestors had a better sense of their coming from and belonging to Earth – learning from, being in tune, cooperating.

Our current global situation is far removed from what was taken to be normal then.  Returning to a closer and cooperative relationship with the planet is not only possible, but essential.  To slow down and take another look at how Earth and her ways has percolated our sense of connection, belonging, and being, is time well spent.

Earth’s ways have infused the formation of what mystics and monks value in their days and ways.  Looking at their practices in the light of Earth being the source of inspiration can help people of any or no spiritual or religious tradition come back to something important.

Groups of us around the world have been doing just that by working through “Earth, Our Original Monastery” published by Christine Valters Paintner.  Christine is a Benedict oblate and founder of the online Abbey of the Arts (www.abbeyofthearts.com).

 

I’ve been accompanying a group that has met monthly over the seven month series.  Hosted by St Bede’s Pastoral Centre in York, UK (www.stbedes.org.uk), it was advertised through St Bede’s Pastoral Centre, LSC, and The Abbey of the Arts networks.

People who registered for the series have worked on line, using what I’ve called a zoom sandwich.  We have an hour together on zoom, then go off for a break and to use creative practices.  For those who choose to, we come back together to share lunch, and then we all meet for another hour of sharing.

The creative practices that foster contemplation are repeated each month with a different focus.  There’s a meditation, a herbal invitation, a contemplative walk, a visual art exploration, and a written exploration.

Zoom has allowed us to share images and music, body movement and poetry, to be together and in smaller groups.

I’ve learned that it is possible to create community and a sense of connection through online activities offered by the abbey.  They use an online platform called Ruzuku for people to interact with material and each other.

During our own series we have been pleased with how the free resource of Google Classroom has worked for us.  We post resources before and after each meeting, and it is a place for everyone to interact between the monthly meetings.

In parallel to my accompanying people through the book, Christine discerned the thirst for a mentoring forum, hosted by the abbey.   Here we meet on zoom each month.  Christine outlines main themes of each chapter, and we all share and support each other.  This forum has been a valued support to those of us setting out to present the abbeys work in all sorts of ways around the world.

St Bede’s will run “Earth, our original monastery” in next year’s programme.

In LSC I oversee the arts and spirituality special interest area.  This comes from using creativity to express and understand myself in different ways for many years.  I see myself as an expressive artist.

Readers might like to visit our website pages that relate to art and spirituality, and to use “The Gallery” to relax and enjoy images of artists known to us.  https://home-5016243824.webspace-host.com/wordpress/the-gallery-2/. We also have a private Facebook group where people are most welcome to share their work, events, resources and thoughts.

I discovered St Bede’s Pastoral Centre, Living Spirituality Connections (that was The Living Spirituality Network), and The Abbey of the Arts at different points in my explorations.  It is rather a wonder to me that I am now part of sharing their work, as well as continuing to receive from them.

“Instructions for living a life.

Pay attention.

Be astonished.

Tell about it.”

Mary Oliver

 

With this in mind, I’m preparing a 12 month series that will accompany people through another of Christine’s books, The Artists Rule.  It is one of the abbeys books and retreats that has been very special to me over the years.  Anyone who would like to express an interest in joining the series, that will begin in Autumn, is welcome to write to me at linda.courage60@gmail.com

 

 

St James’s Piccadilly has hosted two striking and disruptive art installations in recent months. Below we hear from the artists concerned.

Her floe-fall lament by Sara Mark

At Advent, close to the culmination of the Paris Climate Change Summit (COP21), Sara Mark’s ice melt sculpture was placed at the entrance to the sanctuary at St James’s Piccadilly, preventing people from walking down the central isle. The sound of the sculpture was audible throughout the morning service. See the video at www.sjp.org.uk/ice-melt-2015.html.

Her Floe-fall Lament (COP21) – Sara Mark, 2016. Frozen water, steel, wood-ash. Duration 20 hours. Size approx. 200 x 200 cms. Photo credit. Sara Mark, 2016.

Sara comments: “Her floe-fall lament (COP21) was made by freezing 66 litres of water into an oil drum. I placed it in the central aisle of the church to cause maximum disruption to the usual events on Sunday and the constant amplified sound of the melt-water pouring into the oil barrel beneath was an insistent reminder of something happening in real-time elsewhere in the World.

My first ice-melt piece was made in 2006, after attending a Climate Change seminar for artists at the RSA. I was so shocked by what I saw and heard, I wondered how I could make work about anything else. Since then I have used ice as a symbol for issues that need time to transform and resolve. The outcome is inevitable. The ice melts drop by drop, but with it come release, warmth and a certain stillness after perhaps several days of thaw and agitation.”

[Read more…] about Art as disruptive and prophetic intervention

I am certain of nothing but the holiness of the heart’s affections, and the truth of imagination

John Keats

Linda Courage, the coordinator of our Art and Spirituality special interest group, is organising a day in September to explore our ‘heart’s affections’ and ‘imagination’ using the arts.

This day is for people of any faith and none; art experience is not important. A range of approaches will be used to explore what it is that makes us feel fully alive.

The day will include using collage, time lines, mandalas and labyrinths, in amongst periods of quiet, time to reflect and share thoughts. There will be a table for you to bring and share ideas and resources with each other.

Below is an explanation of the background to the workshop by Linda.

Details

Date: Saturday 19^th September 2015

Time: 9.30am for 10am until 4pm prompt (it is OK to arrive a bit earlier)

Venue: Portholme Church, Portholme Road, Selby, YO8 4QH (car parking is available)

The cost for the day is £15 which includes hot and cold drinks and basic art materials. Please bring a notebook and your own lunch.

Space is limited to about twelve people. Payment on the day by cash or a cheque to “St James’s Church” where funds are allocated to LivingSpirituality.

To book please contact Linda on 01757 709667 or Lp2work@talktalk.net. For more information about using art in this way and Linda, please visit our Art and Spirituality special interest group at www.livingspirit.org.uk/art-and-spirituality-group.

A pdf of the poster for the event can be found at www.livingspirit.org.uk/wp-content/uploads/art-event.pdf.

Why I am offering the workshop

by Linda Courage

I have known for a while that I would like to offer people art and spirituality workshops through the LivingSpirituality special interest group. I used to run them when I worked as a Development worker at St Bede’s Pastoral Centre in York.  Now I have the head and heart space to offer the workshop in September and to offer it in Selby in North Yorkshire because there aren’t many events of this nature offered locally.

Using art to express ourselves is something I stumbled upon about 17 years ago.  I was having sub-fertility treatment at the time (I really dislike the term infertility).  I had felt quite sick for a couple of weeks and had hoped that I might be pregnant.  When that turned out not to be the case, I had myself checked out at the GP surgery to make sure nothing organic was wrong.  Then a wise friend suggested that if I was otherwise well, the sickness might be about my needing to rid myself of something.  I came home, picked up a pen, and ‘vomited’ many poems onto the page – the sickness settled immediately and I was very surprised at the contents of the poems.

I’ve gone on to study and experience how art can be used regularly to give us images and insights into our interior worlds – to help us befriend ourselves in a deeper way.  To me, spirituality is about becoming more connected with ourselves, our world, and others.  It can be such fun and bring energy and fresh air into places we don’t appreciate exist.

If I can create a space to introduce people to using creativity in this way, and to network and share ideas, that would be very satisfying and totally in keeping with the aims of LivingSpirituality.

The Abbey of the Arts is an online global monastery without walls and seeks to be a place of ‘transformative living through contemplative & expressive arts’ (www.AbbeyoftheArts.com).

Richard Rohr, a Franciscan, says

“This is what we need! Christine is offering us a “moving monastery” yet with solid grounding in Scripture, Nature, Art, the Tradition, and the Saints! Abbey of the Arts is spirituality for our time and every time.”

I heard about the Abbey through being a member of LivingSpirituality and resonated closely with the ‘Monk in the World’ video presentation on the website to such an extent that I signed the Monk Manifesto and receive regular letters via email. I would encourage readers to look at these for yourselves because I don’t think they will be what you imagine.

Christine Valters Paintner created the Abbey and was joined recently by John Valters Paintner, her husband. Christine follows the path of a Benedictine as an oblate of the order. The Abbey is gifted in many ways that include opening life’s questions in a gentle and creative way that is liberating.

Online retreat

I registered for the retreat wondering how it would be to join an online community. Towards the end of the retreat I was using the word ‘generosity’ to summarise the whole experience.

As part of her introduction to the retreat, Christine wrote:

“The soul’s journey through Lent is like a pilgrimage exploring inner desert places, landscapes, thresholds, and the experience of exile. Ultimately, pilgrimage always leads us back home again with renewed vision. Resurrection is about discovering the home within each one of us, remembering that we are called to be at home in the world, even as we experience ourselves exiled again and again.”

We explored each of these themes and more over an eight week period, but prior to that, time was given to the registration process to make sure everyone was familiar with how the community would work. People from all over the world were on the retreat. Each of us could upload an image or a picture of ourselves with a few words of introduction during the registration process – and we had to choose which timeline we lived on so that each day’s materials became available at the correct time.

Once into the body of the retreat I enjoyed the pace and space allowed for personal reflection, and then time to read and respond to the reflections of others on what I can only describe as the retreat’s own secure web site that is made by Ruzuku for those who understand these things.

Retreat structure

Each week ended with a day of rest, which I needed to sit with my thoughts, or rest and orientate myself to the following week. And each week had a similar rhythm which seemed to me to be slow in week one. Soon I saw the wisdom of the repetitive pattern and depth of reflection that each day offered. By the end of the retreat I realised how un-important it was to ‘keep up’. I harvested the real blessings of lagging behind and having more time to read what others had discovered when I did the whole retreat again! Such was the generosity embedded in the whole process that all the materials were accessible for a good while after the end of the retreat, and all the materials were downloadable for private use at another time.

The title of each week gave a real flavour of how journeying feels. Hearing the call and responding; packing lightly; crossing the threshold; making the way by walking; being uncomfortable; beginning again; embracing the unknown; coming home.

And each week was sprinkled with encouraging insights, poetry, stories, artwork, joys and sadness as the community developed. For example, Christine gave us these words from others:

Week one – The practice of packing lightly

When we feel more secure, powerful, confident, and self-sufficient, we are nothing. We are most abjectly not. But when we’re stripped naked by desert despair, helplessly and hopelessly decreated by all of our facades and deceptions, we are most real, most substantial. We are. Our being is in proportion to the destitution forced on us by the wilderness. —Kerry Walters, Soul Wilderness

Week 7 – The practice of coming home

My final question, ‘How will I know when I have reached the destination?’ brings me full circle, and I face the Mystery again. Perhaps the truth is that we never arrive, not because the journey is too long and too difficult but because we have been there all along. I am coming to believe that there is no final destination except to continue to be on the journey and to know that every place along the way is a holy place because God is present. I believe that God is calling us to stand on our own ground and know that it is holy and let our roots grow deep. And yet at the same time, the journey goes on. It is a paradox, I know, but perhaps we are traveling most faithfully when we know ourselves to be most at home. —Judith E. Smith, from “This Ground is Holy Ground” in Weavings Journal

My experience

I would encourage others to look into the Abbey and perhaps choose something for yourselves. There are some free retreats, and I find the newsletters really helpful. For anyone thinking that they need to be a traditional artist to benefit from the Abbey I promise you that you don’t. The image at the top of the page was one I posted a few times – each time the flowers changed, and it was my image of coming home. Many people took photographs with their phones; I used a more traditional camera.

Another refreshing thing about the retreat was that people expressed their faith, or lack of it, in different ways. Some told us they did not belong to any formal religion, others were deeply committed, and others seemed to be at many points in-between. It really did not matter. The materials and language used were inclusive and did not need any of us to believe or not in a particular way.

Some people responded to posts each day, and others followed the whole retreat without being ‘visible’ – again it did not matter – all were welcome.

Perhaps more importantly than these things, for myself I discovered things that I did not know about myself. At one point we were asked to think deeply about what our deepest desire was. I simply did not know, but in the process it was as if it was revealed to me in a most tangential way. I also discovered that it is possible to become part of an online community during a retreat in a very real sense. A few months later I am registering for another.

Abbey of the Arts: www.abbeyofthearts.com

LivingSpirituality Art and Spirituality Group: www.livingspirit.org.uk/special-interest-groups/art-sig

 

Linda Courage is Coordinator of the LivingSpirituality Art and Spirituality Group, regional contact for the North East, and LS Steering Group member. She is an Associate member of the Centre for Spirituality Studies at Hull University, and is an experienced nurse and lecturer on nursing matters.